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List Price: $16.98
Our Price: $10.68
Your Save: $ 6.30 ( 37% )
Availability: Usually ships in 24 hours
Manufacturer: Decca U.S.
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Average Customer Rating:  
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Binding: Audio CD
EAN: 0602517675247
Label: Decca U.S.
Manufacturer: Decca U.S.
Number Of Discs: 1
Publisher: Decca U.S.
Release Date: 2008-08-12
Studio: Decca U.S.
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Spotlight customer reviews:
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Customer Rating:
Summary: Bringing It All Back Home
Comment: On this well thought out release, David Sanborn's soulful, roots-based, and grooving Decca debut, Here & Gone, the six-time Grammy winner becomes the fourth (known to me) artist (John Scofield's That's What I Say, Maceo Parker's Roots and Grooves, and Fathead Newman's I Remember Brother Ray) to pay homage to the genius, Ray Charles. Sanborn's approach to Brother Ray is not all that apparent and obvious, as he makes deeper connections to one of his own early influences, that being Hank Crawford, who was Charles' arranger and sax-player.
Some of my favorite tracks include: Marcus Miller's "Brother Ray," featuring Derek Trucks; Roy Jordan and William Weldon's "I'm Gonna Move To the Outskirts Of Town" with exceptional vocals from Clapton, where interestingly he does not get an abundance of time to solo, but it's all good just the same; Hank Crawford's "Stoney Lonesome"; Charles' "I Believe To My Soul" with strong vocals from Joss Stone, who sounds far better here than on her most recent recordings; and Ray Alfred's "I've Got News For You," where Sam Moore delivers the goods big time and sounds so much like Brother Ray (with his vocal inflections) that it's scary.
This is a great, unexpected, and most welcome release from Sanborn. The guest artists (Eric Clapton, Derek Trucks, Joss Stone, and Sam Moore) are all right-on and give tasty performances. Sanborn's playing is far more bluesy than usual and his tone is (as always) uniquely Sanborn. The core band consists of bassist Christian McBride, guitarist Russell Malone, keyboardist Gil Goldstein (who deserves huge kudos for providing the extremely sensitive and evocative arrangements), plus B3 player Ricky Peterson and the always wonderful Steve Gadd on drums. All are "A" team players who offer more than an appropriate backdrop, making the quality of this recording consistent throughout. Throw in guest horn appearances from top-shelf session players like Lew Soloff, Wallace Roney, "Blue Lou" Marini, and Howard Johnson and it's no wonder that this is a very solid recording. Producer Phil Ramone has also done a fine job at bringing out the best from each and every musician.
If you're like me and usually find David Sanborn's recent outings a little too smooth, I would suggest that you to give this recording ample listening, as it's the real deal and not a commercial throwaway. Clearly this disc is not like Sanborn's days with Butterfield (who he performed at Woodstock with), this is about Brother Ray and Hank Crawford, as Sanborn states in the liner notes: "Very special thanks to Hank Crawford for his inspiration," which says it all for me!
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Customer Rating:
Summary: David is King!
Comment: David's latest is irrefutable proof of his virtuosity. His talent is incomparable. After meeting him in person and chatting with him recently, his humility is refreshing. What a great person!
Customer Rating:
Summary: Great sax playing
Comment: As always, David Sanborn's sax playing is without compare. He is a master of technique that is able to etch a considerable amount of emotion and character into everything he plays. My big beef with this disc is that it seems watered down. Most of the things I enjoy about a Sanborn disk, rhythmic, musical and tonal complexity are, for the most part, absent from this disk. The guest appearances are great, especially Sam Moore, who absolutely knocks it out of the park. But for the most part, this disk just left me flat.
Customer Rating:
Summary: What Happened to the David Sanborn Music That I Remembered?
Comment: I didn't care for it at all. The whole CD didn't sound like the music David Sanborn is capable of.
Customer Rating:
Summary: great as usual
Comment: have enjoyed David's music for 20 years now, and he rarely disappoints. this album is more of a blues album, which is a slight change in genre for him, but is still worth the listen.
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Editorial Reviews:
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On "Here and Gone," David Sanborn places his saxophone squarely within the context of the jazz-inflected pop music history that he himself has long been a part of. And while it was conceived as a tribute to his heroes, it inevitably traces his own development as the man who has heroically taken the saxophone to the next level. Few musicians are so closely identified with their instrument that they overshadow their peers, but the iconic David Sanborn truly merits his singular position as a saxophonist, unrivaled as a player who straddles the pop and jazz worlds while commanding respect in both. In pop, he is justly famed for his standout solo on David Bowie's 1975 hit "Young Americans"--one of many celebrated recording projects that evolved out of Sanborn's live supporting roles. Indeed, his matchless tone has additionally been sought to bolster performances by the esteemed likes of Eric Clapton, the Eagles, the Rolling Stones, James Taylor, Linda Ronstadt, Miles Davis, Bruce Springsteen and Stevie Wonder--many of whom have likewise gone on to enlist his inimitable sax presence in the studio.
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